Since I won’t be participating in the A to Z Challenge this year, I won’t be blogging in April. Let’s be honest. If one isn’t participating in the A to Z, there’s really no reason to blog in April now, is there?
In honor of the Challenge, my final post for March is intended as a mini-tribute.
A One Day Compressed A to Z for Writers
A is for Anne Lamott. Who, in Bird by Bird, reminds us of the importance of shitty first drafts.
B is for blogging. After all, isn’t that what the A to Z is all about?
C is for critiques. Be gracious, be kind, be honest, be open-minded—both when giving and receiving.
D is for drafts. First drafts receive the lion’s share of attention, but a first draft is only the clay. It is the innumerable subsequent drafts which will mold that clay into something extraordinary.
E is for editing. Approach this task without mercy. (Unless you’re writing about a character named Mercy, as I am.)
F is for formula. The kryptonite of the creative mind. Avoid whenever possible.
G is for grammar. One of the required tools of the writing trade. Get up close and personal. You can’t do the job if you don’t have the right (write) tools.
H is for hell. Refers to the oft-mentioned destination that lies at the end of the well-paved writing road. According to Philip Roth, “The road to hell is paved with works-in-progress.” While Stephen King maintains that same road “is paved with adverbs.”
I is for imagery. Use words not only to create pictures in your reader’s mind but to engage ALL the senses.
J is for J.R.R. Tolkien. Who warns against procrastination thusly: “It’s the job that’s never started as takes longest to finish.”
K is for killing your darlings. See entry on editing if further explanation is required.
L is for literary fiction. Three cheers for writing that goes beyond spinning a good yarn.
M is for mystery. All great books are mysteries. At the heart of every good story is an enigma, puzzle, or unsolved problem.
O is for Oprah. While no one can adequately explain why, Oprah has the ability to get people to read. Props.
P is for process. “The idiosyncratic act of producing a written communication.” Plotter, pantser, or something in-between, there is no right or wrong way to write. There is only not writing, and that is very wrong.
Q is for quotation. My favorite: “Write like no one is reading.”
R is for revision. The single truth every real writer knows (or is destined to learn): all writing is rewriting.
S is for show don’t tell. Let readers live your stories through emotions, senses, actions, thoughts, and dialogue rather than expository narrative.
T is for theme. The unifying idea around which a story revolves. Identify theme(s) before revision to add to, enhance, and deepen meaning.
U is for unsolicited manuscripts. Submissions not requested by an editor or publisher. Also known as the pit of despair seekers of traditional publishing hope to circumvent by acquiring an agent.
V is for voice. How a writer is reflected in his or her work. To develop your voice, learn The Rules™ then break them as only you can.
W is for words. The building blocks of writing. Words matter, both choice and spelling, because your knotty plot can also be naughty.
X is for xeroxing. A practice embraced by writers (and everyone else) prior to the advent of digital copies and email.
Y is for Yahoo Groups. A means to communicate with folks who share your interests. Are you a writer? There are scores of Yahoo groups focused on writing. Can’t find the perfect fit? Start a group of your own.
Z is for zeitgeist. The defining spirit of the time. Whether you are writing about the present, the past, or even the future, capture the period’s zeitgeist on the page to ground your story.